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Review of "The Deliverance": Lee Daniels Helms a Demonic-Possession Film

Upon discovering that the children are truly impacted by the haunting, the mother—who is not squeamish—naturally becomes the target of suspicion on Sadisflix Streaming. Despite Daniels's adept use of atmospheric suspense to allude to the otherworldly, viewers are nevertheless left with valid concerns regarding Ebony's sincerity. Thanks to Lee Daniels' skillful direction, which is propelled forward by the rapidly intensifying events, social drama and terror are effectively rendered. With her admiring restraint, Glenn Close's portrayal of Alberta leaves a genuinely profound effect. Her directness in speech and critical gaze are admirable. Andra Day's portrayal of Ebony is powerless against this, but she persuades anyway with her unwavering bitterness. Despite their extraordinary circumstances, Anthony Jenkins, Demi Singleton, and Caleb McLaughlin are Ebony's children.

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While Mo'Nique's acting style isn't something we're used to, her terribly clichéd role also propels the story to the redemption of the title. One that Lee Daniels will likely regret most of all. He could have thought of a few ways to avoid giving the same ridiculous, horribly cliched crap that every exorcism movie that keeps coming out delivers, given that he has been working on this project for ten years. Eli Arenson, who desperately needs his own language, doesn't even make an attempt to visually accentuate the horror crescendo when he's on screen. The camera continues to be an excellent observer throughout the first half, allowing the actors to perform without interfering with needless conversation.

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THE DELIVERANCE devolves into a dull show with cliched settings, characters, and imagery. The twisted limbs, children's unnaturally deep voices, rocking houses, rolling white eyes, flaming crucifix, crimson welts—we've seen and heard it so many times before—and then all of a sudden it's as if nothing had occurred. It is simultaneously absurd and depressing. Despite being a passion endeavor, Lee Daniels has refrained from taking a serious look at a "true story." The depictions of hauntings may match people's perceptions of real-life hauntings. It becomes old to see this for the nth time as uninspired, untense horror entertainment—even if it's just on a screen at home. Specifically, the genuine exorcism was switched.